April 2010

Now available in a limited edition of 50  high quality cassettes a re-issue of "Repairs". our 1988  cassette released originally on Sound Of PIg. released by and available from Chicago's Notice Recordings

Notice Recordings

REPAIRS cover shot.jpg

january 2010.

original release on Staalplaat 1992


ILLUSION OF SAFETY - PROBE (CD by Perdition Plastics)
This is not a review but merely a historical, personal ramble. In 1992 I started working for Staalplaat, buying and selling stuff, and helping out getting those strange packages done. One of the bands that already had a great package, before my time, was Illusion Of Safety, whose 'Historical' was packed in a leather pouch with a real bullet. Both Staalplaat and Korm Plastics, my own small venture, were in contact with Illusion Of Safety's main man Dan Burke and Jim O'Rourke, who was then a main collaborator with Burke. This resulted in 'Disengage', still one of the top 10 releases by Staalplaat, along with 'Probe' by Illusion Of Safety. The first 500 were packed in a wooden box with a real Italian coin and toy money from former Eastern Germany (an additional 500 were sold in the same wooden box, but without the monies). Illusion Of Safety were on a peak with that CD, or perhaps a watershed mark (otherwise you may think they never reached another peak again) is a better word.
Before that Illusion Of Safety was, perhaps, 'another' fine band of harsh and less harsh industrial music as a bigger outfit with a varying line up. Towards the end of the era of releasing cassettes, which culminated in the fine but highly obscure 'RVE' tape, Jim O'Rourke became a member, bringing a love of composed music to the table, not just musique concrete but also the like of Scelsi. The music of Illusion Of Safety changed and on 'Probe', as said being here just Dan Burke & Jim O'Rourke, this culminated in that first highlight. All of the influences from before and new ones, melted together in this great disc of musique concrete. Many field recordings are used, along with piercing electronics at times, bowed guitars at others. Sometimes stretching out seemingly ad infinitum, but then sometimes abruptly changing color, speed, intensity, mood, texture and/or atmospherics. An absolute great work of sound collage, bridging musique concrete, electro-acoustics, improvisation, industrial music and ambient. Still a highlight of a career, and great to see back in print - even when the cover is not on par with the original. (FdW)
Address: http://www.perditionplastics.com